Questions tagged [harmony]

For questions about the "vertical" aspects of music and how to build and study them.

Harmony is the musical effect observed when two or more pitches interact in the same perceived time element. Harmony looks at the sum of all notes and how those notes interact with each other. Within Western contexts, the main branch of studying harmony is called diatonic harmony, which is based off of concepts from the Common Practice period.

Harmony can exist in varying degrees of complexity, going far beyond simple diatonic harmony all the way to abstract chromaticism. Chords - groups of three or more notes sounded simultaneously - are a useful concept to study harmony, and the relationship between chords can be analyzed to study the ebb and flow of music. Musicians often analyze using structural concepts like chords even if the original composer predates the ideas used to study their works.

Harmony is often considered to be one of the main components of music, often alongside or contrasted with . However, neither is strictly necessary for sound to be considered music, and the inclusion or exclusion of harmony should not be considered a dividing line between music and nonmusic.

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Inverse / reverse Picardy third

I have seen a few answers to this on the web but none seemed very authoritative. A Picardy third is the use of a major tonic chord at the end of a phrase or section in a minor key. Is there a name for the converse: ending a section in a major…
badjohn
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What do you call a suspension that never resolves?

In "A Day in the Life" by the Beatles, I notice the melody plays a note (E) just before the second chord which looks like a suspension except it never gets resolved as there is no E in Bm. Is there a name for this kind of suspension in classical…
user35708
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Is there any scientific reason why three notes are seen as required to create an 'unambiguous' harmony?

To me, three-note harmony works brilliantly with the diatonic scale and I can see why it became a common part of musical vocabulary. Nevertheless, taking a step back from that particular tradition, it has never seemed obvious to me why three is seen…
Нет войне
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Harmonic and Inharmonic overtones

What is the difference between harmonic and inharmonic overtones? What are their uses in sound design ?
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Why is it common to harmonize a melody by adding chords first, rather than a bass line first?

I have watched at least 6 music theory videos on how to harmonize a melody in 4-part writing and none of them start with the bassline first. All of the teachers seem to look at the notes of the melody (usually the soprano line) and then figure out…
user35708
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How to complete a scale harmonization using Quantz' Versuch

In Quantz, Versuch einer Anweisung die Flöte traversiere zu spielen several harmonic/melodic skeletons are presented as the basis of melodic embellishment. Here are four which cover significant portions of a full scale (embellishment examples not…
Michael Curtis
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Is this cross relationship of the seventh degree in minor key harmony OK for 18th century style?

Some background. The following is from Gjerdingen, Music in the Galant Style, it's a kind of harmonic sequence called a monte. I'm using it for a model... ...to make a piano drill using full octave scales. The basic harmonic outline is followed by…
Michael Curtis
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Does a drone create harmony?

I noticed there's no typical harmony (chords, etc) in Scotland the Brave but rather there's three elements: a drone on B-flat, the melody, and the drums. So is a single continuous note (drone) considered harmony?
user34288
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Is harmony based on intervals rather than chords?

I understand this to be true: chords are basically just intervals. Our modern way of thinking about harmony is based on thinking about chords rather than intervals. This seems wrong. It seems like we're complicating things. The fundamentals of…
user20754
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Progression of major triads on minor thirds

The notes of a diminished 7th chord form a 'circle of minor thirds'. I've noticed that some composers modulate through one or more major triads built on successive minor thirds, e.g. major triads on F#, A, C, Eb, (and back to F#). Is there much to…
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How would you explain the A natural in bar 11?

How would you explain the A natural in bar 11? How would you explain that the phrase ends in bar 11 and not bar 12?
user20754
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How do we explain the E major chord in this progression?

This is from A mighty fortress is our God. How do we explain the E major chord in this progression? The tune is in C major. The melody in this part of tune sounds a bit minor rather than major to me.
user20754
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Neo-Riemannian Theory and Tonal Music

I can't tell if transformational theories are supposed to be generalizations of traditional harmonic theory to apply to all tertian harmonies or an alternative that only works in the case of certain stereotypically chromatic progressions. To that…
lightning
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Transitive property of harmony feeling

Let a, b, c denote three different musical lines. My question is, would it be true to claim that, If a and b sounds good together and if b and c sounds good together, then a and c sounds good together. In other words, is there a kind of transitive…
Ahmet Bilal
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Harmonizing Melodies a 3rd or 4th Below

When writing second parts for melodies, I've read that a good starting point can be to write something basically parallel either a 3rd above or a 3rd below. In both major and minor keys, the 3rd below option seems to present the problem of it being…
Robin Andrews
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